
国王与国家 HD
1964 / 英国 / 电影
状态:HD
扫一扫 手机免费观看更方便
《国王与国家》 HD
点击量 | 日:150 | 周:987 | 月:833 | 总:419
年份:1964地区:英国类型:剧情,战争
导演:约瑟夫·罗西
主演:德克·博加德,汤姆·康特奈,莱奥·麦凯恩,巴里·福斯特,彼得·科普利,詹姆斯·维利尔斯,杰瑞米·斯宾塞,Barry,Justice,
版本:1080P高清无删减完整版
更新时间:2024-07-07
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
提示:[DVD:720P标准清晰版] [BD:超清无删减版] [HD:1080P高清完整版],BD和HD版本不太适合网速过慢的手机在线观看。
米哈依尔·齐阿乌列里(Mikheil Chiaureli)是斯大林的御用导演,由他执导的这部战争史诗《攻克柏林》长达近三个小时,分上下两部,
本片反映勒第二次世界大战的历史转折点斯大林格勒战役,是一部极具历料及欣赏价值的巨作.是导演尤.奥泽洛夫的卫国战争三部曲的最后一部.1942年
电影《志愿军》三部曲系列终章《志愿军:浴血和平》聚焦抗美援朝第五次战役后直至签署停战协议期间“边打边谈”的作战历程。前线战斗血火交锋,谈判桌
本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民,在德国法西斯围困列宁格勒的900个艰难的日日夜夜,所表现出来的顽强精神。影
该片讲述了伟大卫国战争期间列宁格勒遭受德寇围困的九百天,列宁格勒军民克服种种令人难以置信的困难--饥饿,轰炸,疾病,寒冷——保卫了这座“英雄
本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民,在德国法西斯围困列宁格勒的900个艰难的日日夜夜,所表现出来的顽强精神。影
本片是苏联伟大卫国战争系列史诗巨片之一部。影片尽情歌颂了苏联人民,在德国法西斯围困列宁格勒的900个艰难的日日夜夜,所表现出来的顽强精神。影
1940年9月,德、意、日三国成立同盟。山本五十六被任命为日本联合舰队总司令,并不得不“违背自己的意愿”,接受命令对美、英、荷等国开战。19
1939年繁昌保卫战,新四军排长朱振率队护送握有日军南京暴行证据与作战计划的记者陆瑛。遭日军围追堵截,队员接连牺牲,历经雪原伏击、山洞激战等
二战时期,日本的军国主义海军非常强大,在当时盛极一时,昭和9年四月,江田岛海军兵学校将培育优秀的海军航空士官,这一批士官参加了袭击珍珠港的事
机械厂钳工莫得闲(肖战 饰)拖家带口随逃难队伍躲进山区,与被大部队遗忘的防空炮长肖衍(彭昱畅 饰)及手下在“戈止镇”落脚。然而,莫得闲和妻子
影片以1945年抗日战争末期为背景,讲述冀热辽军区为配合苏联红军反攻承德,派出连长张峻开展里应外合作战的故事。途中智擒伪军队长吴德全,迫使其
抗大一分校的17岁新学员苏凡(敖子逸 饰),千里迢迢从福建龙岩来到沂蒙山腹地的学校驻地报到。报到的第二天就遭遇了日本军数万人的“铁壁合围”大
该片是首部全景式展现中国人民14年抗战艰辛历程的纪录电影。它深刻铭记了80年前,中国人民经过长达14年艰苦卓绝的浴血奋战,打败了穷凶极恶的日
战火撕裂温州,一对双胞胎走向殊途。叶宁沦为军国主义傀儡,叶清成长为游击神枪手。当血脉至亲阵前相向,家国大义与手足之情该如何取舍?影片以磅礴之
二战期间,中国舟山附近海域,一艘载满英军战俘的日本货轮被击沉,上千名英军战俘被日军封锁于船舱内。绝境之时,东极岛上的一群渔民毅然前来。他们凭
It’s 1945 and Hitler is dead. The remaining Nazi leadership is expecte
耶~~复制成功